Blue Plate Special: Public Image Ltd

Public Image Ltd. to reissue back catalog, John Lydon solo CD in UK next  month – Slicing Up EyeballsPublic Image Ltd (PiL) was born from John Lydon’s “anti-rock” impulse after leaving the Sex Pistols. PiL fused dub’s gravitational pull, razor-wire guitar from Keith Levene, and Jah Wobble’s trance-like low end into an abrasive, hypnotic language on First Issue and the landmark Metal Box. The music felt cinematic and confrontational: drums stalked, guitars gleamed like shattered glass, and Lydon’s voice—half sneer, half séance—turned public life into private confession. It wasn’t rebellion for spectacle; it was architecture—post-punk built from negative space, repetition, and echo.

As PiL evolved, the palette widened without dulling the edge. The Flowers of Romance pared the room to percussion and breath, a stark chamber where rhythm did the talking. Mid-’80s releases (This Is What You Want…, Album) brought in sharper contours and unexpected virtuosos—Bill Laswell’s studio alchemy, Steve Vai’s scalpel solos, Tony Williams and Ginger Baker’s thunder—wrapping PiL’s austerity in a restless, dance-literate sheen. The result was a scrapyard disco and art-house pop hybrid: horns jabbing through fog, choruses that felt like banners in a windstorm, and basslines that kept the floor vibrating long after the lights came up.

Across reformations and late-period statements (from This Is PiL to What the World Needs Now… and End of World), Lydon remained the fixed star: a narrator who can turn a tabloid headline into a human x-ray. PiL’s imagery is all industrial romance—warehouse reverbs, flickering cathode-ray glow, posters peeling in the rain—yet the songs carry warmth, wit, and stubborn humanity. In the PiL universe, style isn’t costume; it’s scaffolding for feeling. The band’s tapestry is woven from dub echoes, avant-garde nerve, and pop’s sharp silhouette—proof that “public image” can be both mirror and magnifying glass, reflecting the world and enlarging every crack.

Some of my favorites from their catalog:

This is Not a Love Song – from the album This Is What You Want…This Is What You Get (1984)

 

Rise – from the album Album (1986)

 

Seattle – from the album Happy? (1987)

 

Public Image – from the album First Issue (1978)

 

Careering – from the album Metal Box (or Second Issue) (1979)

 

Disappointed – from the album 9 (1989)

 

One Drop – from the album This is PiL (2012)

 

The Body – from the album Happy? (1987)

 

Flowers of Romance – from the album Flowers of Romance (1981)

 

Home – from the album Album (1986)

 

The Order of Death – from the album This Is What You Want…This Is What You Get (1984)

 

Warrior – from the album 9 (1989)

Christian Buckley

Christian is a Microsoft Regional Director and M365 MVP (focused on SharePoint, Teams, and Copilot), and an award-winning product marketer and technology evangelist, based in Dallas, Texas. He is a startup advisor and investor, and an independent consultant providing fractional marketing and channel development services for Microsoft partners. He hosts the #CollabTalk Podcast, #ProjectFailureFiles series, Guardians of M365 Governance (#GoM365gov) series, and the Microsoft 365 Ask-Me-Anything (#M365AMA) series.